The Avant-Garde Artist Kazimir Malevich’s Philosophy of Suprematism

  • Aleksey N. Ovshinov B.B. Gorodovikov Kalmyk State University, Elista ovshinova72@mail.ru
How to Cite
Ovshinov A.N. The Avant-Garde Artist Kazimir Malevich’s Philosophy of Suprematism. Humanities of the South of Russia. 2017. Vol. 6. No. 3. P. 99-111. DOI: https://doi.org/10.23683/2227-8656.2017.3.8 (in Russ.).

Abstract

The philosophy of Suprematist artist Kazimir Malevich is the most important theoretical and creative concept of interaction of Russian art in the twentieth century, especially in the initial phase. It played as big role as the concept of Kandinsky and other distinguished artists and innovators in the real interaction process of art style formation. In the article the author makes an attempt to understand philosophically the creative way of the author of the famous «Black square», seeking out of «pictorial mix into an independent unit» in the design as «the individual in collective system and individual independence». 10.0cmI� s-p���id-align:none;text-autospace:none'>e-mail: matyashdv@mail.ru 
Keywords:
suprematism, «Black square», anthology, intuition, act, something, time, space, chasm, Mahayana Buddhism, unconsciousness, emptiness, hollowness, existence, philo-sophical energetizm, spirit, inspiration, mind, wisdom, pointlessness, irrational

Author Biography

Aleksey N. Ovshinov, B.B. Gorodovikov Kalmyk State University, Elista
Doctor of Sociological Sciences, Professor 

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Citation Formats
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APA
Ovshinov, A. N. (2017). The Avant-Garde Artist Kazimir Malevich’s Philosophy of Suprematism. Humanities of the South of Russia, 6(3), 99-111. https://doi.org/10.23683/2227-8656.2017.3.8
Section
PHILOSOPHY AND SOCIETY